#1
Aubrey Miles, Uno July
#2
Ellen Adarna, FHM December
#3
Angel Locsin, FHM March
Ang Tanging Ina Mo (Last Na ‘To) ends the franchise on a high note
The Metro Manila Film Festival (MMFF) is home of the longest running franchises in the history of Philippine cinema. To name a few: Shake, Rattle, and Roll (12 movies as of 2010); Mano Po (six movies as of 2009); and Enteng Kabisote (four movies as of 2007, a spin-off this year titled Si Agimat at si Enteng Kabisote, and two Okey Ka, Fairy Ko movies from which Enteng Kabisoteis based on). Since these franchises are lucrative, producers often release a new installment every year.
Before Ang Tanging Ina evolves into yet another never-ending franchise, Star Cinema bids farewell to the single mother of twelve with Ang Tanging Ina Mo (Last Na ‘To). In this third and final installment, Ina Montecillo (Ai Ai delas Alas) finds out that she is terminally ill and is left with only a few months left to live. As Ina struggles to tell her family about her condition, her children also struggle to get along.
Aside from Ina’s health problems, the rest of the cast have their own conflicts to deal with. Rowena (Eugene Domingo) is caught in a May-December love affair with Frank (Jon Avila). Severina (Shaina Magdayao) is marrying a taong hito. Juan’s (Marvin Agustin) debts are piling up. Tri (Carlo Aquino), who is better off, is reluctant to help. Tudis (Nikki Valdez) has marital problems. While Pip (Alwyn Uytingco) discovers that he has a daughter.
There are plenty of subplots brewing in the background. Some are interesting. The others? Not so much. Some of the conflicts are resolved, while others are seemingly forgotten about. With a brief running time, it’s impossible to explore each and every character’s subplot. It would have been better if they focused on the conflicts that are more interesting or entertaining. In my opinion, Severina and Tudis’ conflicts are dispensable. Hence, omitting them from the screenplay will not affect the overall arc of the narrative nor will it make the film less entertaining. By trimming down the story to its bare components, more time can be allocated for developing the more important subplots.
The performances are all aces. Ai Ai reminds us why she is the Comedy Queen. She is wacky, outrageous, and hysterical. She gives her all as the titular character. But aside from the mandatory gags, she bares her heart as the loving mother who isn’t ready to leave her family yet. In one of the film’s poignant moments, she chases Juan on a footbridge in frenzied fashion. She perfectly captures the emotions of a mother who terribly misses her firstborn.
Not to be outdone is Eugene . As Ai Ai’s sidekick, Eugene provides ample support without overshadowing her co-star. That’s what great supporting players do. The tandem of Ai Ai and Eugene is undeniable. Their comedic rhythm is impeccably in sync. Indeed, the acting awards bestowed on Ai Ai and Eugene are well deserved. (Note: Ai-Ai bagged the Best Actress trophy while Eugene was hailed as the Best Supporting Actress.)
The film’s breakout stars are Cecil Paz as Malena, the kasambahay and Xyriel Manabat as Monay, Pip’s daughter. Kasambahaysare used for comedic effect for as long as I can remember. The likes of Pokwang, Tuesday Vargas, and Moi Bien have excelled in this role. You can add Cecil to that list. She puts her own flavor to the staple character. She is deliriously funny when she provided “background music” to Ina’s dramatic moments. The clever use of April Boy Regino’s “Di Ko Kayang Tanggapin” is one of the film’s highlights.
Xyriel is the most charming performer in this film. She plays Monay with the innocence of a child and the wit of a grown-up. With an angelic face and undeniable charisma, she shifts effortlessly from comedy to drama. Here is a promising young star that I’m sure we will be seeing more of. (Note: Xyriel was awarded as the Best Child Performer.)
The fact that this is the last installment of Ang Tanging Ina makes me both sad and happy. It’s sad to say goodbye to Ina, Rowena, and the rest of the family–characters that I’ve come to know as if they are real people. There is a montage near the end of the film that shows scenes from the first movie. It’s interesting to see how far the characters have gone. In the first film, Ten-Ten (Yuuki Kadooka) is still a young boy in his diapers and he’s all grown up now.
On the other hand, I’m happy that this is the end of the franchise. I don’t want Ang Tanging Ina to suffer the same fate that befell the likes of Shake, Rattle, and Roll and Mano Po–franchises that continued way past their prime. These franchises turn into cash cows being milked dry by the studios that produce them. They may still be commercially viable, but the quality of the story suffers. There is only so much story that can be squeezed out from the same set of characters and studios have to know when to stop.
Ang Tanging Ina Mo (Last Na ‘To) ends the series in a high note. It may not have outdone the first movie, but it is a hell of an improvement from the drivel that is Ang Tanging Ina N’yong Lahat. It also reunites Ina with her three husbands (Tonton Gutierrez, Dennis Padilla, and Jestoni Alarcon) and 12 children (including Jiro Manio, Serena Dalrymple, and Mark Acueza).
Anchored by excellent performances, Ang Tanging Ina Mo (Last Na ‘To) is a crowd-pleasing family-oriented film that is funny as it is touching.
Rating: 3.5/5
*published on PEP
Film Logs: A Hodge-Podge of Movies
TWILIGHT
RATING: 2/5
DIRECTOR: Catherine Hardwicke
TAGLINE: When you can live forever what do you live for?
STARRING: Kristen Stewart, Robert Pattinson
THE GIST: A vampire falls in love with a mortal. Plus cheese and more cheese.
DAILY TELEGRAPH SAYS: I watched Twilight in a cinema full of young girls who, when they weren't texting friends and guzzling soft drinks, giggled, sighed and exhaled with a passion that was not only endearing, but a measure of its emotional truth.
I SAY: There is a lot to hate in the way this film was made – awful scoring, ineffective cinematography, amateur effects, and subpar direction. But the film rose to the occasion by banking on the charms of Stephanie Meyer’s cheesy love story. It may not possess the perfect formula to capture the adoration of snotty critics, but it is more than enough to make the fangirls swoon.
FACTORY GIRL
RATING: 2/5
DIRECTOR: George Hickenlooper
TAGLINE: The Fame. The Spotlight. The Scandal. The Party's About To Begin.
STARRING: Sienna Miller, Guy Pearce, Hayden Christensen, Mena Suvari, Jimmy Fallon
THE GIST: Enter Andy Warhol’s infamous Factory and meet his muse, Edie Sedgwick.
SUN ONLINE SAYS: It's Sienna Miller's star that shines brightest in this heartbreaking cautionary tale.
I SAY: Still an engaging true-to-life expose on the 1960s young elite and underground art society despite some inconsistency issues.
FIGHT CLUB
RATING: 4.5/5
DIRECTOR: David Fincher (The Curious Case of Benjamin Button, Se7en)
TAGLINE: Losing all hope is freedom.
BEST LINE/S: Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off.
The things you own end up owning you.
STARRING:
Edward Norton (a property of insomnia, chronic frustration, and dementia)
Brad Pitt (pronounces anarchy as eloquently as The Joker)
Helena Bonham Carter (as fucked up as a sex maniac’s love doll)
NEW YORK TIMES SAYS: [Fincher] finds a subject matter audacious enough to suit his lightning-fast visual sophistication, and puts that style to stunningly effective use.
I SAY: Fast-paced, stylized, and bloody good!
CRASH
RATING: 3.5/5
DIRECTOR: Paul Haggis (In the Valley of Ellah )
TAGLINE: Moving at the speed of life, we are bound to collide with each other.
BEST LINE/S: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A. , nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
STARRING: Thandie Newton, Matt Dillon, Ludacris, Brendan Fraser, Sandra Bullock, Don Cheadle, Terrence Howard, Ryan Philippe, Michael Peña
THE ACADEMY SAYS: Pulls a surprise Oscar victory in 2006 (against frontrunner Brokeback Mountain ) with three golden statuettes for Best Picture, Best Original Screenplay, and Best Editing.
I SAY: It has its big moments (I would like to single out the car explosion scene of Newton and Dillon. Tear. Tear.) but it could have tackled the issue on race relations and racial discrimination in LA more subtly.
MATCH POINT
RATING: 3/5
DIRECTOR: Woody Allen (Scoop, Vicky Cristina Barcelona)
TAGLINE: Passion. Temptation. Obsession.
BEST LINE/S: The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose.
STARRING: Jonathan Rhys Myers, Scarlett Johansson, Emily Mortimer
THE GIST: Boy A is with Girl A. Boy B is with Girl B. Boy B likes Girl A. Boy A breaks up with Girl A. Girl A disappears. Boy B and Girl B marry. Girl A returns. Boy B and Girl A have an affair. Girl A wants to elope with Boy B. Boy B can’t. The unthinkable happens. Boy B is one lucky bastard.
NEWSDAY SAYS: [The film is] suffused with a Fitzgeraldian glow of bittersweet romance and ruefulness among the elite.
I SAY: A blistering ménage-a-trois of deceit, obsession, and desire. The role that luck plays in the process, and why luck is more important that either wits or skill.
ALMOST FAMOUS
RATING: 3.5/5
DIRECTOR: Cameron Crowe (Vanilla Sky, Jerry Maguire)
TAGLINE: Experience it. Enjoy it. Just don't fall for it.
STARRING: Patrick Fugit, Kate Hudson, Billy Crudup, Jason Lee, Frances McDormand, Philip Seymour Hoffman, Anna Paquin, Zooey Deschanel, Jimmy Fallon
THE GIST: An aspiring Rolling Stones journalist gets his chance to tour with and write about an up-and-coming rock band.
ROTTEN TOMATOES SAYS: With its great ensemble performances and story, is a well-crafted, warm-hearted movie that successfully draws you into its era.
I SAY: It celebrates rock ‘n roll with the fervor akin to a groupie, while at the same time, mocking the ‘manufactured’ state of the music industry.
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