A Weekend of Bad Movies: Alice in Rome

After a couple of weeks of DVD marathons at home, I’m watching movies on cinemas again. However, image magnification and surround sound can’t turn a lackluster film into something amazing. Not even the gargantuan IMAX screen and 3D glasses can do that trick. If it’s a bad movie, it doesn’t matter whether you watch it on the big screen or in your iPod Nano, it will still be bad.

This weekend, I went all the way to North EDSA for a duo of bad movies.

Alice in Wonderland

When: March 21, 2010; 4:40 PM

Where: SM North EDSA IMAX

Director: Tim Burton (Sweeney Todd, Edward Scissorhands)

Starring: Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway, and Matt Lucas

If you think Burton’s adaptation will embellish the trippy and subtly philosophical elements of this beloved children’s story, then think again. The overly simplistic storyline takes away all the wonder that makes this wonderland wonderful. Though the performances and CGI renditions of Depp, Hathaway, Bonham-Carter, and Lucas are undeniably charming, the entire film remains insipid.

Target Audience: kiddos and lovers of box-office movies

Rating: 2/5

When in Rome

When: March 20, 2010; 10:00 PM

Where: Trinoma

Director: Mark Steven Johnson (Ghost Rider, Daredevil)

Starring: Kristen Bell and Josh Duhamel

A sloppy romantic comedy that’s low on humor and romance. Star Cinema love stories are a lot better than this, and that’s not saying much. The Fontana di Trevi (Fountain of Love) may seem like a nice touch to the story, but too much slapstick and logical lapses got in the way.

Target Audience: stupid people in love

Rating: 1/5

The lineup of movies showing this week seems more promising. Adolf Alix recreates the Shakespeare tragedy; this time, in a modern Filipino setting with Romeo at Juliet. Meanwhile, Ewan McGregor and Jim Carrey play gay lovebirds slash jailbirds slash con men in I Love You Philip Morris. See you at the movies.

Pixelated Popcorn’s Top 18 Foreign Films of 2009

This is not your usual Best of 2009 list. Barely missing this list are the usual suspects. You won’t see Academy Award nominees Avatar, Precious, Inglorious Basterds, An Education, and UP. Critically acclaimed foreign films such as The White Ribbon and A Prophet are likewise nowhere in sight. I, myself, was surprised to realize that I didn’t go with the popular choices. Instead, it was the little gems – the less known films – that left a mark on my cinematic consciousness.

Unlike 2008 where epic dramas Atonement, Slumdog Millionaire, and The Curious Case of Benjamin Button made up my Top 3 (see complete list of Top 20 Films of 2008 here), 2009 can be considered as the year of suspense and thrillers. I saw myself literally jumping from my seat in District 9, laughing in amusement because of Bad Lieutenant’s singing iguana and breakdancing soul, and rooting for the antiheroes of Julia and Mother.

But will a year in movies ever be complete without sweeping love stories? Tragic romances abound in the form of Sang-hyeon and Tae-Jun of Thirst, Tom and Summer of 500 Days of Summer, and Ryan and Alex of Up in the Air. But what’s a love story without a happy ending? Luckily, I found this Australian aboriginal couple’s tale of addiction, hope, and true love.

Without further adieu, here is my Top 18 Foreign Films of 2009.

18. Mammoth (Mamut)

Director: Lukas Moodyson (Lilya 4-Ever, Show Me Love)

Starring: Gael Garcia Bernal, Michelle Williams, and Marife Necesito

A humanist study about the dynamics of working parents who provides for the needs of their children but are largely absent in their lives.

17. The Chaser (Chugyeogja)

Director: Na Hong-jin

Starring: Yun-seok Kim and Jung-woo Ha

A tension-filled crime saga where the table keeps on turning until the hunter becomes hunted down.

16. Fish Tank

Director: Andrea Arnold

Starring: Katie Jarvis and Michael Fassbender

A realistic British drama about opening up, getting hurt, and taking refuge.

15. Tulpan

Director: Sergei Dvortsevoy

Starring: Askhat Kuchinchirekov

As you get lost in the Kazakh dessert, you end up finding a piece of yourself. Simple, dryly humorous, and insightful.

14. In Search of a Midnight Kiss

Director: Alex Holdridge

Starring: Scoot McNairy and Sara Simmonds

Pits romanticism against pragmatism and invites us to look into how modern dating goes with a hopeful heart and a balanced judgment. Pucker up.

13. Hunger

Director: Steve McQueen

Starring: Michael Fassbender

This visual spectacle is an unsettling portrayal of the resilience of man and the power of human determination.

12. The Hurt Locker

Director: Kathryn Bigelow

Starring: Jeremy Renner and Anthony Mackie

Eloquently articulates what a war really is. Disquieting, rather than explosive. And nobody fights to win. Everyone loses, even if you win.

11. Timecrimes (Los Cronocrimenes)

Director: Nacho Vigalondo

Starring: Karra Elejalde

Deconstructs the time travel conceit and throws its fragments in an open field. You’ll find yourself frantically trying to put it all together only to realize that the pieces have slipped away.

10. Before the Fall (3 Dias)

Director: F. Javier Gutierrez

Starring: Victor Clavijo

When a serial killer runs amok at the time of apocalypse, a nonchalant hero tries to save his part of the world.

9. Where the Wild Things Are

Director: Spike Jonze (Adaptation, Being John Malcovich)

Starring: Max Records

Jonze perfectly captures childhood angst in this bittersweet bedtime story for adults.

8. (500) Days of Summer

Director: Marc Webb (will direct Spider-Man reboot)

Starring: Joseph Gordon-Levitt and Zooey Deschanel

Not an anti-love story, but a reality check.

7. Up in the Air

Director: Jason Reitman (Juno, Thank You For Smoking)

Starring: George Clooney, Vera Farmiga, and Anna Kendrick

Highly impenetrable people are usually the most fragile. A revelatory seriocomic that is both timely and crowd-pleasing.

6. Bad Lieutenant: Port of Call, New Orleans

Director: Werner Herzog (Rescue Dawn, Encounters at the End of the World)

Starring: Nicolas Cage and Eva Mendes

Diving into depravity has never been this trippy, hypnotic, and dare I say, fun.

5. Mother (Madeo)

Director: Bong Joon-ho (The Host, Memories of Murder)

Starring: Kim Hye-ja and Won Bin

A madcap fusion of revenge and a mother’s unconditional love. Korea is the new hotspot for first-class murder mysteries.

4. District 9

Director: Neill Blomkamp

Starring: Sharlto Copley

An affecting gore fest and a socio-political commentary. Intelligent sci-fi flicks are back.

3. Thirst (Bakjwi)

Director: Park Chan-Wook (Oldboy, I’m a Cyborg But That’s OK)

Starring: Kang-ho Song and Ok-bin Kim

The definitive vampire love story. Cake foundation and glitters not included.

2. Julia

Director: Erick Zonca

Starring: Tilda Swinton

Too suspenseful you’ll forget to breathe. A dark character study that largely benefits from Swinton’s miracle work and Zonca’s frenetic direction.

1. Samson & Delilah

Director: Warwick Thornton

Starring: Rowan McNamara and Marissa Gibson

Life may be cruel, but as long as love exists, no tragedy is too great to overcome. Tender, hopeful, and immensely gratifying.

Best Film Performances of 2009 (Foreign)

Best Actor

Sharlto Copley as Wikus Van De Merwe

District 9

In this year’s most dramatic transformation by an actor in a film, Copley turns himself into a prawn-looking alien who displays more humanity than any human being living outside District 9. Who can ever forget that heartbreaking final scene? It is likewise heartbreaking that his performance was largely underrated.

Best Actor: Runners-Up

(in order of preference)

Nicolas Cage as Terence McDonagh

Bad Lieutenant: Port of Call, New Orleans

over-the-top, but thoroughly entertaining

Christoph Waltz as Col. Hans Landa

Inglorious Basterds

wicked and pitch-perfect

Ben Foster as Staff Sergeant Will Montgomery

The Messenger

unsentimental, yet emotive

Sam Rockwell as Sam Bell

Moon

intensity X2

Jeremy Renner as SSG William James

The Hurt Locker

does not beg for your sympathy

Best Actress

Tilda Swinton as Julia Harris

Julia

Swinton is a shape-shifter. We’ve seen her take various forms: as angel Gabriel in Constantine, as the White Witch in Narnia, and her Oscar-wining turn as Karen Crowder in Michael Clayton. But we’ve never seen her in a role as tenacious like this before. Meet Julia, a scheming alcoholic with a bottomless barrel of lies as her weapon of choice. Even up to her last glorious minute on scene, we are left wondering if she is still lying to our face.

Best Actress: Runners-Up

(in order of preference)

Mo’nique as Mary

Precious

scalding and venomous

Kim Ok-bin as Tae-Ju

Thirst

delicious combination of innocence, eroticism, and evil

Anna Kendrick as Natalie Keener

Up in the Air

youthful brashness facing a wake-up call

Sandra Bullock as Leigh Anne Tuohy

The Blind Side

minimalist conviction

Zoe Saldana as Neytiri

Avatar

emotions that transcend 3D technology

To see their local counterparts, see Best Film Performances of 2009 (Pinoy).

Still coming up: As Oscar draws near, I think it's about time to reveal my Top Foreign Films of 2009. Which film will be on top of my list? Avatar or The Hurt Locker? UP or The Fantastic Mr. Fox? The White Ribbon or A Prophet?

Miss You Like Crazy: The whole universe conspires for a happy ending

Most directors can only dream of carving their names in box office records. Some are fortunate to get one shot at doing so. While a selected few achieve a feat akin to capturing lightning in a bottle. Director Cathy Garcia-Molina is among these selected few. She directed three movies that became the top-grossing film of their respective years: One More Chance in 2007, A Very Special Love in 2008, and You Changed My Life in 2009. This year, Direk Cathy reunites John Lloyd Cruz and Bea Alonzo for the big screen. Can Miss You Like Crazy shatter the records set by its predecessors? After raking in P18 million pesos on its first day, the film is poised to be another commercial success. But does Miss You Like Crazy deserve your patronage? Here's my two cents.

Do you remember the sappy ballad It's Sad to Belong from the '80s? The song goes: "Oh it's sad to belong to someone else, when the right one comes along." Regardless of your love for each other, if it is not the right time, you will not end up in each other's arms. Truly, timing is vital in the game of love. But the writers of Miss You Like Crazy are more optimistic. They believe that if you are meant to be, the whole universe will conspire to bring you together. This concept prevails in this film as it moves mountains and defies logic in the name of romance.

Allan (John Lloyd) and Mia (Bea) are like star-crossed lovers. Fate throws them chances to be together, but time is not their ally. When they first meet on board the Pasig River Ferry, they are instantly attracted to each other. Both of them are from the middle-class and are down-to-earth. As they bond over Divisoria shopping and all-night conversations over coffee, Allan starts to doubt his feelings for his high maintenance fiancée Daphne (Maricar Reyes) who happens to be the daughter of his boss. If he breaks up with her, he will throw their three-year relationship down the drain and put his career in jeopardy. That is not a risk he is willing to take.

What if Allan and Mia meet on a different place at a different time, will everything fall into their rightful place? Two years after, the two cross paths again in Malaysia where Mia works as a front desk officer. But this time, the tables are turned. Allan is single and Mia is in a relationship. He tries to reignite the flame, but she's been burned before. Besides, she has an obligation to her Malaysian boyfriend who helped make her family's situation better. Indeed, time is not their ally.

Star Cinema's weakness is its inability to produce a realistic ending. The studio's penchant for happy endings may please the general public, but more discriminating viewers are likely to be turned off. During the climax, the whole universe suddenly conspires to bring Allan and Mia back in each other's embrace. For hopeless romantics, this is a dream come true. But for realists like me, this perfect world only exists in fairy tales. In the real world, the more prevailing concepts are moving on and acceptance.

Put that aside and you get a pretty compelling love story. It may not top One More Chance as everyone's favorite Star Cinema romantic film, but Miss You Like Crazy has its own merits. The former popularized the killer lines "She had me at my worst. You had me at my best. But you chose to break my heart" and "Sana ako na lang... ako na lang ulit." Miss You Like Crazy also has its fair share of quotable quotes such as:

• "Bakit ka ba nagpa-panic? Kahit nga hindi mo ako hinahanap nagkikita pa rin tayo!" (Mia tells Allan when he couldn't find her in the thick Divisoria crowd)
• "Time is meaningless when you're in love." (wise words from Lolo Uly, a fortune-teller)
• "I can't take away all the pain that I've caused you. But if you will just let me, I will spend the rest of my life making it up to you." (Allan tries to convince Mia to reconcile with him.)
• "Masaya ako pag kasama kita. Ako rin." (famous lines from the trailer)

John Lloyd is arguably the most talented actor in the mainstream today. He is an intelligent performer. He loses himself in every role. When Allan sees Mia for the first time in two years, we can sense the feeling of longing, joy, and desperation slowly creeping up his face. It is such a complex emotion that it takes greater understanding of the character to be delivered.

The supporting cast gives equally compelling performances. Maricar Reyes nails her character Daphne to the hilt. She is not exactly a bitch. She is just the way she is and is unapologetic about it. Maricar gets the best lines; most of them with dual meanings.

• "Thank you. Sinoli mo 'to sa 'kin." (She thanks Mia for returning her cellphone as she clings to Allan's arm.)
• "Old. Musty. Falling apart. Not exactly my type." (She criticizes Allan's old family house. Allan would later use the same lines to describe himself.)
• "Are you breaking up with me?" (delivered almost like a whisper)

In addition, Bembol Roco plays Mia's paralyzed father. With no speaking lines, he is left to the aid of his facial expressions to convey repentance and sorrow. Ketchup Eusebio is charming as Mia's gay friend. Gay sidekicks are often used for comic relief. This is not an exception, but he equips his punch lines with enough sincerity. Meanwhile, Ina Feleo plays the other friend. (Paging ABS-CBN, give this two-time Cinemalaya Best Actress a break.)

There is a lot to love about Miss You Like Crazy—the story, the performances, and the second act shift. As with other Star Cinema films, the contrived ending will raise a couple of eyebrows. But overall, the film deserves the warm reception it has been getting. It seems nothing can stop Direk Cathy from dominating the box office again.

Rating: 3/5

* published in PEP

The Tale of Imelda’s Stolen Pair of Red Shoes

Imelda Marcos, the iconic First Lady of the martial law regime, is known for her flamboyant antics as much as her love affair with footwear. In fact, her extravagant shoe collection of 3,000 pairs landed her a spot in the Guinness Book of Records. One pair of shoes becomes the star of the first film of Unitel Productions in more than three years. This marks the film outfit's return to movie production after creating critically acclaimed films Inang Yaya, Santa Santita, and Crying Ladies.

The Red Shoes sidesteps from the Steel Butterfly’s larger-than-life persona. It refuses to sensationalize Imelda or depict her in a bad light. Instead, the film gives us a parallel story about stealing in the name of love using a pair of red shoes as a metaphor. When Malacañan was first opened to the public after the People Power Revolution, Lucas (Marvin Agustin) was one of the first to enter the President’s official residence. He couldn’t believe his eyes when he saw the First Lady’s infamous shoe collection. He stole a pair of red shoes and gave one shoe each to the “first ladies” of his life – his sweetheart Bettina (Nikki Gil) and his mom Chat (Liza Lorena).

Aside from the story of the red shoes, the film has other shoe stories to tell. The film shows the affinity of the different characters with their favorite shoe color and how that reflects their personality and perspective in life. Lucas likes to wear white sneakers, white Chucks, white sandals, anything white. He refuses to wear any other color. He also refuses to change and get out of his comfort zone. He clings on to his past dearly with no intention of moving on.

Meanwhile, Chat owns dozens of shoes but she doesn’t have a favorite pair or a favorite color. She is still looking… in the same way that she is still looking for answers why her beloved husband Domingo (Tirso Cruz) was suddenly claimed by the afterlife. Her husband was one of the unfortunate workers who got buried in quick drying cement when the scaffolding of the Manila Film Center collapsed in 1981.Since his death, Chat has been trying to contact him through psychics and mediums. Her remaining hope is Madam Vange (Tessie Tomas), a crazed Imelda fanatic believed to be a powerful medium.

Aside from the focal stories of romance and family drama, The Red Shoes boasts of a rich back story as well. Scribe James Ladioray uses nonfiction elements from the martial law years as turning points of his story like the collapse of Manila Film Center and ousting of President Ferdinand Marcos, thus making the story more believable and relatable.

This film may seem like Pinoy’s answer to 500 Days of Summer. But comparing it to the Zooey Deschanel and Joseph Gordon-Levitt romcom means we are disregarding the film’s political connotations and merely appreciating its cutesy, quirky ways. The film poses the question: would you steal for love? Even though Lucas has the purest intentions, he still committed an unlawful act. The filmmakers may be drawing a parallelism with what Ferdinand did to please the insatiable Imelda, but don’t quote me on that. Whether or not, director Raul Jorolan and writer James Ladioray have that intention is up to the viewers to interpret. The best thing about watching movies like this is that it leaves us with something to ponder on. It’s not just escapist entertainment that gets pushed at the back of our minds after the end credits rolled.

When I first heard about The Red Shoes, I got instantly hooked by its premise. A lot of films only look good on paper, but not this one. The high-flying concept, coupled with a commendable execution, gave us the first great Pinoy movie of 2010. Its screenplay is highly original, clever, and eloquent. It isn’t just a love story. It isn’t just a shoe story. It is every Filipino’s story. There is a Ferdinand and an Imelda in all of us.

Rating: 4/5

* published in PEP

Marino Sinks

Marino, director Paul Sta. Ana’s sophomore effort after Huling Pasada (Cinemalaya 2008 finalist), dramatizes the longing that devours a couple when one decides to work as a seafarer.

Following the Diaspora of Filipino workers, Benjo (Allen Dizon) leaves his wife and daughter behind to become a seaman. He tries to overcome separation anxiety by watching family home videos over and over again. However, pixelated images cannot cure homesickness, only human warmth will suffice. And so, he commits an unfaithful act that puts his devotion to his wife to the test.

Back home, his wife Mina (Ara Mina) is dealing with her father’s failing health. As she copes with the situation, she starts to doubt her feelings for her husband. Will she wave the white flag or will she hold on to their commitment?

If I will include all the bit players and their respective stories in the plot I’ve written above, I would have typed 500 words in one go – that’s my biggest concern with Marino. Director Paul Sta. Ana and scribe Dennis Evangelista is guilty of overpopulating this story with too many characters. Is this bad habit talking? Or are the filmmakers just too keen on putting celebrities on screen regardless if their characters are significant or not?

In indie film standards, we can say that Marino has an all-star cast that includes Allen Dizon, Ara Mina, Emilio Garcia, Victor Basa, Rico Barrera, Marco Alcaraz, Jan Nieto, Krista Ranillo, Bangs Garcia, Mike Tan, Jaja Gonzales, Raymond Cabral, and Benjie Felipe. And so, the film haphazardly jumps from one character’s conflict to the next in order to parade its bevy of stars. We are introduced to numerous characters that aren’t given enough screen time to fully matter.

The filmmakers are just going through the motions. I can sense zero investment on character development and dramatic buildup. They are merely concerned on giving each actor and actress their fair share of the limelight. In fact, some of the characters are disposed at a whim. A perfect example is Emilio Garcia’s character. On the get-go, he is fashioned as the major supporting player. He is Benjo’s constant companion, confidante, and kumpare. He offers insightful advices and provocative discussions about being a seaman and a faithful husband. But after his character meets an accident, we never heard of him again.

Meanwhile, the affair between the characters of Rico Barrera and Raymond Cabral is totally uncalled for. I don’t see any significance of it to the central themes being explored. But the scenes are there anyway, just because the filmmakers think they would appeal to a particular demographic. Moreover, the roles of Bangs Garcia (Benjo’s ex-girlfriend), Marco Alcaraz (neighbor who secretly desires Mina), and Jan Nieto (Mina’s older brother) are likewise insignificant.

Despite its shortcomings in the storyline department, the production values can be compared to mainstream releases. They even shot some scenes in Thailand. Marino boasts of clear cinematography, decent production design (although it lacks authenticity), heavy musical score, and a heartrending theme song. Jan Nieto lends his vocals to the ballad "Bakit Kailangan Pang Lumayo?" penned by Ogie Alcasid.

Rating: 1/5

* published in PEP

Pixelated Popcorn's Top 12 Filipino Films of 2009

12. Padyak

Director: Aloy Adlawan (Signos, Condo)

Starring: Jay Aquitania, Baron Geisler, Hazel Ann Mendoza, Rita Avila, Irma Adlawan

Padyak explores the mysteries of life and man’s interconnectedness with each other. It is an ode to the circle of life as it bursts with philosophical anecdotes and personal reflections. Aside from the compelling Palanca award-winning script and peculiar narrative structure, the tour-de-force performance from the excellent cast makes this an engrossing mantra to life.

Read the full review here.

11. Last Supper No. 3

Director: Veronica Velasco (Maling Akala, Inang Yaya)

Starring: Joey Paras, Jojit Lorenzo, Beverly Salviejo, JM De Guzman

This Cinemalaya Best Film makes fun of the legal nightmare that is the Philippine judicial system. It’s a boring premise, but because the directors know very well not to take the topic too seriously, they veered away from the tendencies to preach about red tape and bureaucracy, The result? A courthouse comedy that is satirical and socially relevant.

Read the full review here.

10. Himpapawid (Manila Skies)

Director: Raymond Red (Anino)

Starring: Raul Arellano, John Arcilla, Soliman Cruz, Raul Morit, Karlo Altomonte

If you know the true-to-life story that inspired the screenplay, then you already know the fate of our deranged protagonist. But there’s more to the ending than knowing Raul’s fate, Red weaves an intricate story that comes in full circle at the end. Himpapawid does not make excuses for the wrongdoings of Raul. The film doesn’t even demand that we understand him. Because he is not a victim, he had a choice. And so, karma rears its ugly head and he is brought to his final destination.

Read the full review here.

9. Bakal Boys (Children Metal Divers)

Director: Ralston Jover (the writer behind Kubrador and Foster Child)

Starring: Gina Pareño, Jess Evardone, Cherry Malvar, Simon Ibarra

It comes as a surprise that a movie about Baseco children who scavenge scrap metals would end up in my Top 12. I’m not a fan of films that peddle the country’s poverty, but Bakal Boys has a quaint quality that is hard to resist. In its most glorious, the film finds joy in childhood as the murky waters of Manila Bay is transformed into their playground. This realistic docudrama does not make a fuss about child labor or poverty, instead it gives us a glimpse of the innocence of childhood set against a harsh and apathetic society.

8. Engkwentro (Clash)

Director: Pepe Diokno (debut)

Starring: Felix Roco, Daniel Medrana, Zyrus Desamparado, Eda Nolan

Engkwentro walks us through the labyrinth of dingy alleys and shanty houses overpopulated by slum dwellers. We pose as voyeurs as the camera individually follows the exploits of the characters in what seem like a single, continuous take. The inexorable conclusion, punctuated by searing brutality, will shock you. You won’t believe that what you just saw are events lifted from actual news headlines. It will leave you with a dreadful feeling that is difficult to shake off.

Read the full review here.

7. Wanted: Border

Director: Ray Gibraltar (When Timawa Meets Delgado)

Starring: Rosanna Roces

Gibraltar has a knack for non-linear storytelling (read: the narrative is not in chronological order), cutting to different time frames and segueing to different characters. Initially, it seems as if we are presented with random characters set in a hodgepodge of trivial and nonsensical circumstances. Although it isn’t easy to make sense of his message, it isn’t hard to appreciate the film’s dark fantasy. He confidently showcases his bravura in creating a grotesque world reeking of drabness and madness. Wanted: Border is an entertaining and thought-provoking experimental project that will keep you optimistic about Philippine alternative cinema.

Read the full review here.

6. Kimmy Dora

Director: Joyce Bernal (Booba, Don’t Give Up On Us)

Starring: Eugene Domingo, Dingdong Dantes, Zanjoe Marudo, Miriam Quiambao, Baron Geisler

In a time when good Pinoy comedies are of a dying breed, we are reminded that there is still hope. Trading in the bad habits of TVJ and Dolphy movies with snappy witticisms and sheer outrageousness, here comes a comedy that’s actually funny. Thanks to Chris Martinez’s script and Eugene Domingo’s comedic rhythm. Eugene can switch from naïve Dora to fierce Kimmy in a bat of an eyelash, but she does it best when she fused these quirky characters together. Give her a follow-up movie, now na!

Read the full review here.

5. Ang Panggagahasa Kay Fe (The Rapture of Fe)

Director: Alvin Yapan (Huling Pasada)

Starring: Irma Adlawan, Nonie Buencamino, TJ Trinidad

The film’s strongest tool in its arsenal is the screenplay. The well-researched story is rich in cultural authenticity and social relevance. Yapan mans the camera with an artistic vision manifested in every frame and every angle. His shots linger, but not to the point of static cinematography. His close-ups suggest subdued intimacy to his subjects whether living or inanimate. The use of repeated scenes and overlapping sequences coupled with the trance-like quality of the shots are effective in confusing viewers as to which scenes are imagined and which are real. This tale tackles domestic abuse and romanticizes Pinoy folklore. It is relevant, original, and stunning.

Read the full review here.

4. Kinatay (Butchered / The Execution of P)

Director: Brillante Mendoza (Foster Child, Serbis)

Starring: Coco Martin, Maria Isabelo Lopez, Jhong Hilario, John Regala, Julio Diaz

Kinatay treads the path of grayscale morality. At a time when horrendous crimes are staples in the news, the corruption of people’s mores is like a plague that offers a future of no redemption. It is a difficult film to watch not only because of the despicable subject matter but also because of the torturous signature style of Mendoza – the unsteady camerawork, the foreboding darkness, and the occasional lull. But this film is not just a film, but an experience in itself. He invites us to walk in his character’s shoes, face the horror, and make some incredibly tough choices. That makes Kinatay exceptional. It is an effective thriller that not only portrays societal realities, but imparts an unforgettable experience that will haunt you like a nightmare you can’t wake up from.

Read the full review here.

3. Jay

Director: Francis Xavier Pasion (debut)

Starring: Baron Geisler, Flor Salanga, Coco Martin

Jay is an interesting depiction of the way manipulative journalists distort the truth to ring in the ratings. Not only does Pasion mock the so-called reality TV, he also scoffs at the willing accomplices – reality TV ‘stars’ who would do anything for their 15 minutes of fame. Welcome to the Philippines, the nation of the showbiz-obsessed Juan dela Cruz. Jay is sarcastic, humorous, and razor-sharp.

2. Dinig Sana Kita (If I Knew What You Said)

Director: Mike Sandejas (Tulad ng Dati)

Starring: Romalito Mallari, Zoe Sandejas

The last three films may hold more weight than this Cinemalaya Audience Choice awardee – both thematically and stylistically, but a personal favorite will always be a personal favorite. No other Filipino film in 2009 touched me like Dinig Sana Kita did. In a little over 80 minutes, it made me cry, laugh hard, and cry harder. The film could have been easily turned into yet another cheesy love story, but we’re lucky that Star Cinema and GMA Films were not involved with the production. Sensible romantic films are a rarity in this country and I’m glad that Sandejas made this.

Read the full review here.

1. Yanggaw (Affliction)

Director: Richard Somes (debut)

Starring: Ronnie Lazaro, Tetchie Agbayani, Aleera Montalla, Joel Torre

The mainstream film industry produces only two kinds of movies – romance and horror. Both are formulaic and uninspired. The latter shamelessly copying the elements of J-Horror, while adapting the schlock of Shake, Rattle, and Roll. It’s a messy combination and I bet no one is amused. But when something as original as Yanggaw comes out, fans of the genre are left in awe by the masterwork behind it. Somes knows the fundamentals of horror. Cheap scare tactics will not get you far. Investing in characters that moviegoers care about spells the difference. More than a horror film, Yanggaw is a family drama about a father who would do everything to protect his kin. If Jason Ivler is an aswang, this would have been his story.