Miss You Like Crazy: The whole universe conspires for a happy ending

Most directors can only dream of carving their names in box office records. Some are fortunate to get one shot at doing so. While a selected few achieve a feat akin to capturing lightning in a bottle. Director Cathy Garcia-Molina is among these selected few. She directed three movies that became the top-grossing film of their respective years: One More Chance in 2007, A Very Special Love in 2008, and You Changed My Lifein 2009. This year, Direk Cathy reunites John Lloyd Cruz and Bea Alonzo for the big screen. Can Miss You Like Crazy shatter the records set by its predecessors? After raking in P18 million pesos on its first day, the film is poised to be another commercial success. But does Miss You Like Crazy deserve your patronage? Here's my two cents.

Do you remember the sappy ballad It's Sad to Belong from the '80s? The song goes: "Oh it's sad to belong to someone else, when the right one comes along." Regardless of your love for each other, if it is not the right time, you will not end up in each other's arms. Truly, timing is vital in the game of love. But the writers of Miss You Like Crazy are more optimistic. They believe that if you are meant to be, the whole universe will conspire to bring you together. This concept prevails in this film as it moves mountains and defies logic in the name of romance.

Allan (John Lloyd) and Mia (Bea) are like star-crossed lovers. Fate throws them chances to be together, but time is not their ally. When they first meet on board the Pasig River Ferry, they are instantly attracted to each other. Both of them are from the middle-class and are down-to-earth. As they bond over Divisoria shopping and all-night conversations over coffee, Allan starts to doubt his feelings for his high maintenance fiancée Daphne (Maricar Reyes) who happens to be the daughter of his boss. If he breaks up with her, he will throw their three-year relationship down the drain and put his career in jeopardy. That is not a risk he is willing to take.

What if Allan and Mia meet on a different place at a different time, will everything fall into their rightful place? Two years after, the two cross paths again in Malaysia where Mia works as a front desk officer. But this time, the tables are turned. Allan is single and Mia is in a relationship. He tries to reignite the flame, but she's been burned before. Besides, she has an obligation to her Malaysian boyfriend who helped make her family's situation better. Indeed, time is not their ally.

Star Cinema's weakness is its inability to produce a realistic ending. The studio's penchant for happy endings may please the general public, but more discriminating viewers are likely to be turned off. During the climax, the whole universe suddenly conspires to bring Allan and Mia back in each other's embrace. For hopeless romantics, this is a dream come true. But for realists like me, this perfect world only exists in fairy tales. In the real world, the more prevailing concepts are moving on and acceptance.

Put that aside and you get a pretty compelling love story. It may not top One More Chance as everyone's favorite Star Cinema romantic film, but Miss You Like Crazy has its own merits. The former popularized the killer lines "She had me at my worst. You had me at my best. But you chose to break my heart" and "Sana ako na lang... ako na lang ulit." Miss You Like Crazy also has its fair share of quotable quotes such as:

  • "Bakit ka ba nagpa-panic? Kahit nga hindi mo ako hinahanap nagkikita pa rin tayo!" (Mia tells Allan when he couldn't find her in the thick Divisoria crowd)
  • "Time is meaningless when you're in love." (wise words from Lolo Uly, a fortune-teller)
  • "I can't take away all the pain that I've caused you. But if you will just let me, I will spend the rest of my life making it up to you." (Allan tries to convince Mia to reconcile with him.)
  • "Masaya ako pag kasama kita. Ako rin." (famous lines from the trailer)

John Lloyd is arguably the most talented actor in the mainstream today. He is an intelligent performer. He loses himself in every role. When Allan sees Mia for the first time in two years, we can sense the feeling of longing, joy, and desperation slowly creeping up his face. It is such a complex emotion that it takes greater understanding of the character to be delivered.

The supporting cast gives equally compelling performances. Maricar Reyes nails her character Daphne to the hilt. She is not exactly a bitch. She is just the way she is and is unapologetic about it. Maricar gets the best lines; most of them with dual meanings.

  • "Thank you. Sinoli mo 'to sa 'kin." (She thanks Mia for returning her cellphone as she clings to Allan's arm.)
  • "Old. Musty. Falling apart. Not exactly my type." (She criticizes Allan's old family house. Allan would later use the same lines to describe himself.)
  • "Are you breaking up with me?" (delivered almost like a whisper)

In addition, Bembol Roco plays Mia's paralyzed father. With no speaking lines, he is left to the aid of his facial expressions to convey repentance and sorrow. Ketchup Eusebio is charming as Mia's gay friend. Gay sidekicks are often used for comic relief. This is not an exception, but he equips his punch lines with enough sincerity. Meanwhile, Ina Feleo plays the other friend. (Paging ABS-CBN, give this two-time Cinemalaya Best Actress a break.)

There is a lot to love about Miss You Like Crazy—the story, the performances, and the second act shift. As with other Star Cinema films, the contrived ending will raise a couple of eyebrows. But overall, the film deserves the warm reception it has been getting. It seems nothing can stop Direk Cathy from dominating the box office again.

Rating: 3/5

* This is a repost. This is a part of the Star Cinema tribute of Cinematon! Cinematon! For more Star Cinema-related posts, click here.

2010 Cinema One Originals opens on Nov. 10-16


Confessional. Imburnal. Sa North Diversion Road . Altar. Yanggaw. What do these films have in common? These award-winning titles are products of Cinema One Originals, which works like its CCP-based cousin–the Cinemalaya Independent Film Festival.


This year, seven film projects were handpicked by an eight-member selection committee from over a hundred of submitted screenplays. Each film was given a financial grant of 1 million pesos. The 2010 batch of Cinema One Originals is comprised of the following:


Ang Damgo ni Eleuteria Kirschbaum

Directed by Remton Siega Zuasola and Bambi Beltran

Starring Suzette Ranillo

A novelty comedy of a young provincial lass who becomes a mail order bride to hoist her family from poverty.


Astro Mayabang

Directed by JP Laxamana

Starring Arron Villaflor, Megan Young, John Lapus, and Marco Morales

A social satire about a financially, socially, intellectually and sexually frustrated man who boasts of his nationalism and Pinoy pride, but ends up humiliated because of his misguided and aggressive ways.


Third World Happy

Directed by EJ Salcedo

Starring Sam Milby and Jodi Sta. Maria

A melodrama about a ‘balikbayan’ artist who has spent most of his life abroad but whose perspectives in life changes when he comes home to attend a funeral and reunites with his friends and girlfriend.


Dagim

Directed by Joaquin Valdes

Starring Marc Abaya, Luis Alandy, and Bembol Roco

A horror movie about two farm brothers whose search for their lost father lead them to a company of strange mountain inhabitants.


Ishmael

Directed by Richard Somes

Starring Ronnie Lazaro, Mark Gil, and Pen Medina

A suspense-drama about an ex-convict who is ostracized by his neighborhood. Little does he know that this neighborhood he once knew is set to awaken his past.


Tsardyer

Directed by Sig Sanchez

Starring Dimples Romana and Jhong Hilario

Based on a true-to-life story of a young boy who was tasked by rebel soldiers to charge their phones used for their negotiations with the government while holding the media people they kidnapped.


Layang Bilanggo

Directed by Michael Angelo Dagnalan.

Starring Pen Medina Miriam Quiambao, and Mailes Kanapi

A family drama about a fugitive on the run who yearns for the love of his daughter that he abandoned several years ago and disguises in an attempt to get near her.


Shang Cineplex, home of various foreign film festivals (i.e. Cine Europa, Chinese Spring Film Festival, etc.), will host the Cinema One Originals Digital Film Festival from November 10 to 16, 2010. Aside from the seven competing films, there will also be a tribute to Celso Ad Castillo as well as repeat screenings of some Cinema One Originals from previous years. See the screening schedule below.


UPDATED SCREENING SCHEDULE


NOV. 10 - WEDNESDAY

1200: Wanted:Border – Repeat Screening

1400: Paano Ko Sasabihin – Repeat Screening

1600: The Cinema of Celso Ad Castillo – Special Screening

1900: Confessional – Repeat Screening

2100: Ishmael – Premiere Gala


NOV. 11 - THURSDAY

1200: Ishmael – Regular Screening

1400: The Cinema of Celso Ad Castillo – Special Screening

1600: Yanggaw – Repeat Screening

1900: Third World Happy – Premiere Gala

2100: Dagim – Premiere Gala


NOV. 12 - FRIDAY

1200: Third World Happy – Regular Screening

1400: Dagim – Regular Screening

1600: Ishmael – Regular Screening

1900: Astro Mayabang – Premiere Gala

2100: Tsardyer – Premiere Gala


NOV. 13 - SATURDAY

1200: Astro Mayabang – Regular Screening

1400: Tsardyer – Regular Screening

1600: Ishmael – Regular Screening

1730: Third World Happy – Regular Screening

2000: Layang Bilanggo – Premiere Gala

2200: Ang Damgo – Premiere Gala


NOV. 14 - SUNDAY

1130: Layang Billanggo – Regular Screening

1330: Ang Damgo – Regular Screening

1530: Third World Happy – Regular Screening

1730: Astro Mayabang – Regular Screening

1930: Tsardyer – Regular Screening

2130: Dagim – Regular Screening


NOV. 15 - MONDAY

1130: Astro Mayabang – Regular Screening

1330: Dagim – Regular Screening

1530: Layang Bilanggo – Regular Screening

1730: Ang Damgo – Regular Screening

1930: Tsardyer – Regular Screening

2130: Ishmael – Regular Screening


NOV. 16 - TUESDAY

1130: Layang Bilanggo – Regular Screening

1330: Ang Damgo – Regular Screening

1530: Third World Happy – Regular Screening

1730: Tsardyer – Regular screening

1930: Dagim – Regular Screening

2130: Astro Mayabang – Regular Screening


HIGHLY RECOMMENDED

Yanggaw – the best aswang film of recent memory, my #1 Filipino film of 2009

Wanted: Border – last year’s winner, Rosanna Roces is wicked and sinister


TITLES I’M EXCITED TO SEE

Confessional – Jerrold Tarog’s critically acclaimed debut

Tsardyer – inspired by true-to-life events when Ces Drilon was held captive in Sulu

Ishmael – Richard Somes’ follow up to Yanggaw

Dagim – Cinema One Originals has spawned gripping horror films over the years. To name a few: Yanggaw, Wanted:Border, and Altar. This looks like a worthy addition to the list.

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